And it allows us to explore the mythology of our nether." The fifth and final season is currently in the works. "So the idea of seeing where these kids and these characters are one year later is cool to me. "I love watching kids grow up on camera," Stranger Things co-creator Matt Duffer told EW in 2016. There's a lot going on in Stranger Things, and it's always intermixing horror, sci-fi, comedy, and teen drama.īut that particular brand of Stranger Things horror is also a reflection of the '80s, a time when - from Fright Night and Cat's Eye to The Lost Boys and A Nightmare on Elm Street - it was always the youths who were getting into all kinds of supernatural trouble. And you've seen a completely different monstrous entity, Vecna, get down with some grisly murdering of its own, as well as draw the plucky group at the core of the series into the alternate dimension itself. You were there for the disappearance and reemergence of Will ( Noah Schnapp), whose immersion in an alternate dimension known as the Upside Down eventually brings the horrors of the Mind Flayer monster to Hawkins, Ind. If you've been paying attention to the Stranger Things universe, you've witnessed the evolution of psychokinetic government lab escapee Eleven ( Millie Bobby Brown) as she bonds with Mike ( Finn Wolfhard), Dustin ( Gaten Matarazzo), and Lucas ( Caleb McLaughlin). And caught in between are everyday people saddled with the realization that their existence and the world at large have become forever changed. On the one hand, there's Jeong and the New Truth Society on the other, there's Arrowhead, a violent youth gang. The result is a series that explores how the unwanted entry of the divine into everyday life can become not miraculous but horrifying.Īs Hellbound unfolds, rival groups take action in the face of these frightening incidents. When cult leader Jeong Jin-soo (Yoo Ah-in) posts footage of these extra-reality abductions on YouTube, Hellbound cleverly uses the limits of that platform to disguise the limits to its own TV budget CGI. It's a premise with roots in creator Yeon Sang-ho's webtoon, and one that translates to television with a flair for illuminating the garish ways our contemporary reality can often feel like a construct. In the South Korean horror-fantasy series Hellbound, individuals learn of their fated, one-way trip to hell from an executor - an "angel," though it really isn't - and then, at the prescribed moment, whether it's minutes or months from the pronouncement, three bruising supernatural thugs appear to carry them off to the deep.
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